Welcome to the Theorist Composer Collaboration

Theorist Composer Collaboration

The Theorist Composer Collaboration is a podcast interview series highlighting modern composers and their works, facilitated through a revolving cast of music theorists serving as hosts. The TCC is meant to be a space of discourse and discussion between the similar but the often separated fields of Music Theory and Composition, bringing together modern musical analysis and practice.

Recent Blog Posts

Alivia Hunter, Will Davenport

Hello Everyone, If you have not already, I encourage you to use the following link to listen to the most recent episode of the TCC Podcast, featuring the artist Alivia Hunter and her songs Clementine, You wouldn’t believe, and Icarus. https:…

RT: Women in Composition, Alivia Hunter

Hello Everyone, If you have not already, I encourage you to use the following link to listen to the most recent episode of the TCC Podcast, a TCC Roundtable on Women in Composition with composers Mary Denney and Ky Nam Nguyen. https://www.tccollab…

Katherine Bergman, RT: Women in Composition

Hello Everyone, If you have not already, I encourage you to use the following link to listen to the most recent episode of the TCC Podcast, featuring Katherine Bergman and her piece Land of Cloud-Tinted Water. https://www.tccollaboration.com/25-la…

About the Host

Aaron D'Zurilla Profile Photo

Aaron D'Zurilla

TCC Founder/Music Theorist

Hello, my name is Aaron D'Zurilla and I am the primary host and founder of the Theorist Composer Collaboration. I created the Theorist Composer Collaboration out of a love of the connection between the artist and their art. Music theory, in my view, is a lens and avenue in which to understand people and their experiences. Often, as music theorists, and individuals attempting to find success in a historically hierarchical field, we find ourselves turning-away from modern music and artists when choosing what to study. As many academics could attest, the decision to study or analyze a work goes beyond that simple decision. It is a choice to highlight, spotlight, platform, and even promote the continuation of a commodity or idea, even if it is in a critical light. While there is plenty of space for such scholarship, and new inventive work in the field of music theory is developed everyday across the world in numerous topics, there is a stark lack of attention to the new music of today.

My personal rationale can be surmised in that we should not wait for music to be 40,50,80+ years old to begin pondering the creation of the art of today. Why wait to engage with literal generations of new composers, creating worlds of novel sounds and experiences everyday across the world? Generally, when looking at where composers and their compositions find support, it is within the composition community, across academia, festivals and through online platforms specific to the field. The hope of the TCC is to expand the support for modern, living compositions outside of these ar… Read More